Aflem souad hosni biography

  • Ali badrakhan
  • Ezz eddin hosni
  • Najat al saghira
  • Soad Hosny filmography

    Year Title Arabic Title Role Notes 1959 Hassan leading Na'imaHassan wa Nayima, حسن و نعيمه Na'ima 1960 The Girls in SummerEl Banat Wa El Seif, البنات و الصيفSamiha 1960 Money stand for WomenMal Wa Nesaa, مال و نساءNei'mat 1960 Gharameyyat Emra'aAmina 1960 Thalathat Regaal W Emra'aThorya 1960 Esha'et HobSamiha 1961 Mafish TafahomLeila 1961 El-Do' el-KhaftNawwal 1961 Talat rijal wa emraa1961 Lemaza A'aishNabila 1961 H-3هه٣ Samiha 1961 El-Saferia AzizaAziza 1961 El-Sabaa' BanaatSalwa 1961 A'az El-HabayebKawthar 1962 Mn Gheir Me'aadSalwa 1962 Seraa' Maa' el-Malaa'ekaNagwa 1962 Ghosn el-ZaytoonAtyaat 1962 El-Ashkyaa' el-TalataMervat 1962 A Date urge the TowerMaww'ed Fil-borg, موعد فى البرجAmaal 1963 Shaa'awet BanaatAmmaal 1963 Aylet ZiziSanaa' 1963 El-garema el-DahkaLeila 1963 Ser el-HarebaHoryah 1963 El-Saheira el-SagheraHanya 1964 Hekayt GawazAdeila 1964 The Game manager Love delighted MarriageLe'bet el-Hob wa el-GawazAmira 1964 El-Ozab el-TalataElham 1964 The Stablelad Arrives Extremity

    Bidoun

    The artist and filmmaker Rania Stephan is probably best known for the series of short, potent vignettes that she made in Lebanon during and after the war with Israel in the summer of 2006. These five to ten-minute films, such as The Bridge and The School, depict incongruous, poignant, yet paradoxically humorous, wartime moments — a Hezbollah supporter strutting around the Dahieh like a peacock and unnerving a civil society group’s do-good demonstration; three kids in a refugee relief center complaining about how boring mainstream media attention has become.

    Stephan works by walking and meeting people by chance. She films, waits, and listens. She has seemingly unlimited reserves of patience and allows her subjects to ramble — to the point that a finished work might consist of the final minutes of an hour’s conversation or more. These films, which continue to grow in number as Stephan returns to the original footage to edit anew, have been screened in several different configurations under the title Lebanon/War. They have also toured widely since fall 2006, exemplifying the use of art in general, and cinema in particular, as a viable mode of expression, even resistance, in the aftermath of a catastrophe.

    But there is another, parallel, equally compelling

    Soad Mohamed Hosny (Arabic:سعاد محمد حسني) (January 26, 1943, in Ataba, Cairo, Egypt – June 21, 2001 in London) was a famous Egyptian actress.

    Hosny was known as the "Cinderella" of Egyptian cinema and one of the most influential actresses in the artistic arena. She ascended to stardom in the end of the 1950s, performing in more than 83 films between 1959 and 1991 . A majority of her films were shot in the 1960s and 1970s.

    Her final screen appearance was in the 1991 film The Shepherd and the Women, directed by her ex-husband Ali Badrakhan.

    Career

    Hosny started her career at a very young age, through singing Okht El Qamar (Sister of the Moon) in the famous radio children program Baba Sharo.

    A family friend, Abdel Rahman el-Khamissy (a writer / director) discovered her acting talent and asked an Arabic language teacher at the time to give her singing lessons.

    Abdel Rahman was screening for the film ‘Hassan We Na’ima’, and wanted to present Hosny as his new discovery in the role of Na’ima. The film was produced and directed by Henry Barakat.

    Death

    Hosny died in London, England in 2001. This occurred after she had suffered severely from an unknown illness for five years. Hosny had sought treatment in the UK after sustaining a spinal fracture which had forced her

  • aflem souad hosni biography