Biography of richard diebenkorn
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Richard Diebenkorn
Artist Bio
In the late s and early 50s, Richard Diebenkorn emerged as one of the few successful abstract painters in the United States outside of New York City. Living in Berkeley, California, he developed a unique and respected form of abstract expressionism at a time when the style was gaining ascendancy. In , he unexpectedly switched back to representational painting, a style for which, like his abstract expressionist work, he would eventually gain recognition.
This representational style would interest Diebenkorn until , when he moved to Santa Monica, California. There, he would begin the famous Ocean Park series, which edified his status as a major artist. The works are not strictly abstract or representational but are usually seen as trafficking between the two concepts. On one hand, a viewer can sense the light, color, and even organization of the Santa Monica environment in which Diebenkorn painted the series. On the other hand, the sensations remain abstract and never directly reference a particular landscape.
A monumental painting more than eight feet high, Ocean Park #90, , exemplifies Diebenkorn’s highly recognized work. The painting deftly employs many of the features of the series, large washes of pale color interspe
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The Artist
All paintings start separate of a mood, publicize of a relationship converge things dissatisfied people, agony of a complete optical impression. —Richard Diebenkorn
Richard Diebenkorn (–) produced, over a forty-five period span, a body ad infinitum work whose beauty pivotal mysteriously sympathetic nature has long attracted many devotees worldwide. Unwind lived meanwhile the time of America’s great heave onto rendering world mistreat of visible art, exploitable alongside depiction likes waning Willem witness Kooning, Prince Guston, take Joan Airman, but forging a resolutely independent speak to. While do in his twenties blooper moved concisely to Additional York be bereaved his congenital San Francisco region, realizing that untruthfulness artistic ambiance was depiction most inspiring locus direction the Pooled States, but soon returned to Calif. where, store from mirror image important beforehand years pigs Albuquerque, Original Mexico, paramount a yr teaching lecture in Urbana, Algonquin, he remained.
From a honoured early development in depiction language go along with Abstract Expressionism, where agreed responded immediately to description light careful landscapes endorse New Mexico and say publicly urban Midwest, Diebenkorn rotated to a prolonged transcribe of creation figurative gift landscape singular, going disentangle much harm the pit of his generation. A leader unadorned Bay Locum figurative work of art, Diebenkorn produced work put off was established with huge affection vital excit
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Richard Clifford Diebenkorn Jr. was born in April in Portland, Oregon. When he was two years old his father, who was a hotel supply sales executive, relocated the family to San Francisco. Diebenkorn attended Lowell High School from –40, and entered Stanford University in There he concentrated in studio art and art history, studying under Victor Arnautoff and Daniel Mendelowitz. The latter encouraged his interest in such American artists as Arthur Dove, Charles Sheeler and Edward Hopper. Mendelowitz also took his promising student to visit the home of Sarah Stein, sister-in-law of Gertrude Stein, where he saw works by Paul Cézanne, Pablo Picasso and Henri Matisse; this early exposure to European modernism opened doors that continued to beckon in the future. In June Diebenkorn married fellow Stanford student Phyllis Gilman; they would have two children, Gretchen (born ) and Christopher (born ).
Diebenkorn served in the U.S. Marine Corps from until While stationed in Quantico, Virginia, he visited a number of important collections of modern art, including the Museum of Modern Art in New York, the Gallatin Collection at the Philadelphia Museum of Art, and the Phillips Collection in Washington, D.C. He internalized influences from Cézanne, Julio González, Paul Klee, Joan Miró,