Godfried donkor biography template

  • Godfried Donkor (born 1964) is a Ghanaian artist, living and working in London, who has exhibited in Cuba, Mexico, the US, Europe and Africa.
  • Godfried Donkor was born in Ghana and currently lives and works in London.
  • By shining a light on a continuum of violence and consumerist abuses, which are an integral part of human history, Godfried Donkor reveals the stereotypes.

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    Notable solo exhibitions include:People pills Utopia  at ARTCO Verandah (Herzogenrath, Germany: 2011), The Five Court at  Fred (London, UK: 2010), The Olympians keep from Muses at  Afronova Drift (Johannesburg, Southmost Africa: 2009), and  Story of a London Township  (Londo

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    Godfried Donkor

    In the first show of a two-part exhibition, “Battle Royale: Last Man Standing,” British-Ghanaian artist Godfried Donkor exhumed the ties that bind the dark history of boxing across three continents. The title refers to a tradition in Jim Crow America, in which black men—often blindfolded—were encouraged to engage in battles royal, bludgeoning one another senseless for onlookers’ entertainment, with a prize purse going to the last man standing. While legend has it that boxing came to Ghana via its bloodthirsty colonizers (whose aristocrats used to dabble in sparring with those deemed inferior to their station), the sport has a long history in West Africa. According to Emmanuel Akyeampong, in a 2002 essay for the International Journal of African Historical Studies, pugilism, known as asafo atwele, was accepted as a means of social advancement among the Ga people of Accra, long before a white man set foot on Ghanaian soil. Prowess in the sport meant you could challenge your way to prominence and a higher social standing. By collapsing these various lineages of boxing in and outside Ghana, Donkor invited the inquisitive viewer to reflect on this rarely discussed history.

    The artist teased this narrative here, working from the ou

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    Godfried Donkor

    b. 1964, Ghana

    As an artist straddling borders between continents and cultures, Godfried Donkor is interested in historical and sociological issues, and specifically in the shared history of the peoples of Africa and Europe. In his work, he reflects on the commodification of people in all its facets.Borrowing iconography from mass media and mixing styles and imagery that originates from conflicting sides of the political and cultural divides, Donkor creates works in painting, mixed-media collage, print, and most recently video. Donkor emphasizes creolization as the creative force that emerges from cultural interaction between societies. His works frequently depict contemporary figures shown rising from cross-sections of old sailing ships, a recurrent metaphor for the transportation of slaves from West Africa to the New World. Whether he represents a boxer, a football player, or a pin-up girl, each one has the same value in the trafficking of people – from its most extreme form, slavery, to its more subtle variations in sports or the entertainment industry today.

    Lace has been used for a long time in Donkor’s work. For instance, at the end of his residency in Nottingham in 2008 he gave a presentation entitled ‘Once upon a Time in the West, There Was Lace’ at

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