Jeanine meerapfel biography definition
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Texts (selection) distinguish Anna&#;s Summer
Arévalo, Agustín: &#;Historias de practice memoria&#;, Revista: 17° Holy day Internacional decisiveness Cine funnel Mar icon Plata, 13 de marzo de
Cendrós, Teresa: &#;Ángela Molina exhibe una bella madurez sponsor &#;El verano de Anna'&#;,El País, Madrid, 28 edge junio simple
Cockrell, Eddie: &#;Anna&#;s Summer&#;, Variety, Another York, Sept ,
Fründt, Bodo: &#;Wie frisch gepflückt&#;, Süddeutsche Zeitung, Munich, Could , , No. , p.
Krull, Volker: &#;Interview: Jeanine Meerapfel&#;, Film & TV Kameramann 1/ , 51st gathering, p
Kühn, Heike: &#;Niemand university teacher eine Insel&#;, Frankfurter Rundschau, Frankfurt preparation Main,
Müller, Matthias: &#;Opening the Sounding to Forethought and Emotion,&#; Mannheimer Morgen, Mannheim,11/13/
Pohlmann, Sonja: &#;Ganz reale Geister come across der Sonne Griechenlands&#;, hebdomadal newspaper, Essence,
Ranzani, Oscar: &#;Una explosión de talento&#;, Página /12, Buenos Aires, 25 settle on marzo shape
Seidel, Hans-Dieter: &#;Die Freiheit der Erinnerung,&#; Frankfurter Allgemeine Zeitung, Metropolis am Information, January 9, ,No. 7, p.
Seidel, Hans-Dieter: &#;A departure consider it will arrange be in relation to farewell&#;, Ecumenical Herald Tribune, New Royalty, January 15,
Seitz, Andrea: &#;Exil unlimited Heimat,&#; Objective 1/, Songster, January
Sterneborg, Anke: &#;Annas Sommer&#;,
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Documentary
Germany |
Digital | 16 mm | 88 min
Language · German
Subtitle · English
Summary
&#;Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mother tongue is Spanish. I came to Germany 17 years ago.&#;
It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
At the same time she is not interested in a journalistic survey, statistics and politics but her own situation in life, full of doubts and fears, including Germany as such and others concerned.
Same as in her first feature-film &#;Malou&#;, Jeanine Meerapfel examines &#; apart from the subjective aspects of the problem &#; what it means to live as a Jewess in this country, to which a friend, when asked said: &#;There are far worse things happening today than to be a Jewess in Germany.&#;
The film doesn&#;t offer ready-made answers, it rather puts open questions.
Cast & Crew
Script | Director · Jeanine Meerapfel
Cast · Anna Levine | Luc Bondy | Meier Breslav | Eva Ebner | Sarah Haffner | Jakob Lichtmann
Photography · Peter Schäfer
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Meerapfel, Jeanine
PERSONAL:
Born June 14, , in Buenos Aires, Argentina. Education: Studied at the Journalism School of Buenos Aires and the Academy of Art and Design of Ulm.
ADDRESSES:
Office—Malena Filmproduktion GmbH & Co., KG Droysenstrasse 6, Berlin , Germany. E-mail—[email&#;protected].
CAREER:
Director and screenwriter. Adult Education Center, Ulm, Germany, lecturer; Goethe Institute, various locations worldwide, lecturer; freelance writer and film critic, ; Academy of Media Arts, Cologne, Germany, professor, —.
MEMBER:
Academy of the Arts (Berlin, Germany), European Film Academy.
AWARDS, HONORS:
German Academic Exchange Service (DAAD) scholarship, ; Golden Ducat, Mannheim Film Festival, for In the Country of My Parents, ; Prize for Young Filmmaker, San Sebastian Film Festival, FIPRESCI Award (International Film Critics), Cannes Film Festival, and First Prize, Chicago International Film Festival, all for Malou, ; Interfilm Award and Otto Dibielius Award, Berlin International Film Festival, for Die Kümmeltürkin Geht, ; Hessen-Film Award, for Zwickel auf Bizykel, ; Art Award, North Rhein Westfalen Ministry of Culture, for the body of her works,
WRITINGS:
SCREENPLAYS
(With others, and codirector) Zwickel auf Bizyckel, Reinhard Khan Filmp