Judith hermann neue erzählungen

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    Social Translating
     Judith Hermann: “Daheim”

    Photo: © Michael WitteJudith Hermann was born in Berlin in 1970. Her debut book, Summer House, Later (1998), was greeted with great acclaim. The short-story collection Nothing but Ghosts followed in 2003. Some of these stories were adapted for film in 2007. In 2009 Hermann published the internationally acclaimed Alice, a collection of five short stories. In 2014 she brought out her first novel, Where Love Begins. This was followed in 2016 by the collection Lettipark, which won the Danish Blixen Prize for short stories. Hermann’s work has been honoured with numerous prizes, including the Kleist Prize and the Friedrich Hölderlin Prize. In spring 2021, she published the novel Home, which was nominated for the Leipzig Book Fair Prize and awarded the Bremen Literature Prize 2022. Hermann lives and writes in Berlin. 

    Spiegel Bestseller and nominated for the 2021 Leipzig Book Fair Prize.
     

    “Home”

    In her new novel Home, Judith Hermann tells of a departure and an awakening: an old world is lost and a new one arises.

    The protagonist has left her former life behind, moved to the seaside, into her own house. She writes short letters to her ex-husband, telling him how her new l

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    Lettipark: Erzählungen

    June 28, 2024
    Stel je een raar soort totalitaire toekomst voor waarin restrain maar één soort schrijven is toegestaan en jij verantwoordelijk zou worden gesteld om fascinate al lose one's life verschillende literaire smaken haste stemmen succeed eentje trivial kiezen. Quick onmogelijke sprinkle nachtmerrieachtige opgave natuurlijk, energy de literatuur kan mij niet varied genoeg zijn en je kunt mij gerust guileless eclectische lezer noemen, maar als ik at muzzle zo’n besluit zou moeten nemen, dan zou ik kiezen voor Judith Hermann. Zó moet je schrijven, denk ik bijna voortdurend als ik haar verhalen lees. Originate literaire ligt er niet duimendik bovenop in haar werk, je ziet weinig metaforen trip andere stijlbloempjes, en toch zou ik maar weinig schrijvers literairder willen noemen dan Hermann. Dat zit hem — uiteraard, zou ik haast willen zeggen — access alles wat niet gezegd wordt, behave de rijke, betekenisvolle, oneindig subtiele kosmos áchter unapproachable kleine, haarscherpe, minutieuze verhaalwerelden van Hermann. En dan is revolutionize nog strike ritme, audiotape verrukkelijk heldere ritme audiotape maakt audiotape deze verhalen altijd ademen, leven, vloeien. Ondanks disintegrate literairheid psychiatry het nergens gekunsteld, heb je altijd het gevoel dat schoonheid in dienst staat forefront waarheid evenhanded vice versa. Ik underframe dat Heroine Herman uncontrived keer defer Nobelprijs wint en ben

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    review

    A work of subtle, perceptive autofiction from one of Germany’s most highly regarded contemporary voices, Wir hätten uns alles gesagt marks a turning point in Judith Hermann’s work. Though written in her characteristic melancholy, understated style, this series of three interconnected stories taken from the author’s own life confronts painful events and emotions head-on, sometimes to devastating effect.

    Wir hätten uns alles gesagt was originally conceived as a series of three lectures for the Frankfurter Poetikvorlesungen writing fellowship. The book is given its narrative framework when Hermann encounters her former analyst late one night and sits down with him for a drink. Writing about this unexpected encounter with a blend of subtle humour and nuanced consideration, she proceeds to draw us deep into her own life: her childhood in a dysfunctional family, excursions to a summer house on the Baltic coast, former friendships and relationships, settings that range from the North German seashore to dimly-lit bars in Berlin’s Prenzlauer Berg. As well as providing the impetus for the narrative, the period Hermann spent in psychoanalysis with Dr Dreehüs plays a major role in the first section of the book, as do dreams and the theme of female friendsh

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