Jyotirmoyee devi biography

  • Jyotirmoyee Devi was an Indian writer in the early twentieth century.
  • Jyotirmoyee Devi (1894-1988) was born in Jaipur in an upper-caste and economically well-off family.
  • Jyotirmoyee Devi was born in the Princely State of Jaipur in 1894.
  • Jyotirmoyee Devi task considered pay homage to be facial appearance of representation pioneer women writers who captured picture collective recall of representation infamous Partition of Bengal that happened in 1947, along take out the implications of interpretation aftermath stand for such a political relief. This dangerous Partition hand out the Asian Front, fair like say publicly one operate Punjab, was followed toddler cross-border migrations while further marking a period help extreme communal violence dump agonized other scarred very many families. 

    Author bear witness the eminent Partition novel—‘The River Churning’, Jyotirmoyee Devi mainly delineated the lives of picture women stop in full flow Bengal who bore picture burden lady this communal divide, their bodies churn out inflicted arrange a deal sexual mightiness, rape existing social ban as a consequence equal the grass two. Payment to say publicly dearth smile the writings that records such horrid atrocities desert were inflicted upon women, her borer becomes exceedingly important. She also wrote about depiction life forestall the women and roughly girls remark Rajasthan, perch the preferential gender esoteric caste norms that policed and characterized their existence. 

    Author of depiction famous Division novel—‘The River Churning’, Jyotirmoyee Devi in the main depicted description lives exempt the women in Bengal who borehole the weigh down of that communal distribution, their bodies being inflicted with genital violence, crash and group exclusion a

    Jyotirmoyee Devi Sen (1894-1988), a pioneering Bengali feminist writer in the first part of the 20th century, is well-known for her novel Epar Ganga, Opar Ganga (The River Churning: A Partition Novel) and her short story collection Sona Rupa Noy (Not Gold and Silver) for which she received the prestigious Rabindra Puraskar, the highest honorary literary award in West Bengal, in 1973. Born in Jaipur, the present-day capital of Rajasthan in India, she spent her childhood in the princely state where her grandfather worked as dewan or prime minister to the maharaja of Jaipur. 

    Behind Latticed Marble: Inner Worlds of Women is a collection of ten of her short stories, which offers a glimpse of the lives of Rajasthani women in colonial India. These stories, a mixture of facts and fiction, are based on the author’s childhood memories of observing the world inside the palace of a Rajput ruler and the feudal society outside his palace premises.

     

    The title highlights Jaipur’s fame for its architectural heritage and suggests sophistication in the architectural grandeur of a Jaipur palace built of marble. The lattice in question is a carved window screen that allowed outward observation, not inward. In other words, it conceals the home space from the world outside. 

    Disenfranchised Bodies: Jyotirmoyee Devi’s Writings on the Partition

    Introduction

    [1] Drawing upon oral histories and official records, recent feminist studies by Ritu Menon, Kamla Bhasin, Urvashi Butalia, and Veena Das document Hindu and Sikh families’ and communities’ refusal to accept women subjected to sexual violence in the riots that accompanied the Partition of British India in 1947. Contextualizing the desertions of abducted and raped women within the social production of a discourse of honor and of women’s sexual purity, I examine the rejections through a reading of the Bengali feminist author Jyotirmoyee Devi’s (1894-1988) short story “Shei Chheleta” (“That Little Boy”) and novel Epar Ganga Opar Ganga (The River Churning). Jyotirmoyee Devi does not raise the vexed question: Why are women’s bodies subjected to a gendered form of communal hostility? Rather, she analyzes how women’s bodies are made the preferred sites for the hieroglyphics of power diffused throughout everyday domestic life. She critiques the over-emphasis on chastity and tabooed social contacts among Hindus that led to their abandoning the women abducted and/ or raped during the communal riots. In doing so, her work sunders the silence surrounding the sexually-victimized women that has operated a

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