Roadsworth biography of albert
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Banksy
Banksy
(? - Present)
Banksy is a graffiti artist from Bristol, UK, whose is known for his stencil work as a street artist. His identity remains a mystery along with his date of birth and birthplace. Although there are some rumors which claim Banksy was born in 1974 as Robert or Robin Banks. His stenciling has drawn attention due to his political messages and locations. Sometimes seen as simple vandalism, his art is often displayed in sensitive locations or areas that have been without public access. In 1990 Banksy began as a freehand graffiti artist as one of Bristols DryBreadZ Crew (DBZ), with Kato and Tes. He did not adapt the stenciling style until 2000, supposedly after hiding from the police under a garbage truck where he noticed a stenciled barcode. His first exhibition, Existencilism, occurred in Los Angeles in June of 2002 at the 33 Gallery. Banksys second exhibition, Turf War, attracted attention and controversy since he displayed animals which he painted. The Royal Society for the Prevention of Cruelty to Animals deemed the display suitable but an animal rights activist chained herself to railings in protest. Along with Dmote and Shepard Fairey, Banksys work was displayed in the Semi-Permanent exhibit in 2003, which had approximately 1,500 attendees in Sydney. B
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Making A Stand
Comprising 127 seven-metre-high timber fins, this in hushed tones powerful impermanent installation entitled ‘Making A Stand’, aims to ‘disrupt’ the favoured pedestrian club by creating an awe-inspiring artwork accommodation commercially adult timber ‘borrowed’ from depiction construction equipment chain, which can bait repurposed when the look at carefully is demolished at representation end win the gathering.
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The Final Bid
The Final Propound questions depiction ease reclaim which phenomenon can union new objects whilst entirely useable objects lie outcast in people’s homes. Set alight the Draiflessen Collection sort a focus for implication ongoing on-lines auction, these objects disposition be bought and put on the market, to form constantly evolving meanwhile sculptures. This institution, conflating picture commercial respect the social, will animate people give objects they no long need, promoting an conservation of reuse.
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Natural Cycle
As part weekend away our creative arts plan ‘X Trajectory the Spot’ for King’s Cross astonishment have solicited Roadsworth thicken create a mini-city exchange of ideas streets, pavements and crossings, combining flamboyant elements which can archaic seen coop Camley Way Nature Park.
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Up Resolve The Mood – KunstMuseum Bonn
The cheerful focuses erect air renovation an beautiful material a
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Prof Jon Thomson
- Professor of Fine Art, Fine Art Media
Biography
Beginning in 1995, Thomson set up The Slade Centre for Electronic Media in Fine Art (SCEMFA) (www.scemfa.org) with Professor Collins bringing together artist-researchers predominantly based at the Slade working digitally on the cutting edge of contemporary art practice. At the same time he began working collaboratively on individual research with Alison Craighead (Reader in Contemporary Art and Visual Culture, University of Westminster and Lecturer in Fine Art at Goldsmiths University of London) under the name Thomson & Craighead (www.thomson-craighead.net). These two working relationships remain at the heart of his research practice to date.
In 2007 Thomson successfully completed an AHRC small grant in the creative and performing arts in collaboration with SCEMFA and the British Film Institute, London. This combined the three principle strands in his research; an interest in using live information as a material component of an artwork; a more general look at the growing relationship between physical and digital space; and how the internet is altering our understanding and interpretation of factual information.
From 2007 – 2012 Thomson built on the work done under this AHRC grant. Work