Oxana panchenko biography of abraham
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Satellite-based modeling of wetland methane emissions on a global scale (SatWetCH4 1.0)
Pierre Friedlingstein, Michael O'Sullivan, Matthew W. Jones, Robbie M. Andrew, Judith Hauck, Peter Landschützer, Corinne Le Quéré, Hongmei Li, Ingrid T. Luijkx, Are Olsen, Glen P. Peters, Wouter Peters, Julia Pongratz, Clemens Schwingshackl, Stephen Sitch, Josep G. Canadell, Philippe Ciais, Robert B. Jackson, Simone R. Alin, Almut Arneth, Vivek Arora, Nicholas R. Bates, Meike Becker, Nicolas Bellouin, Carla F. Berghoff, Henry C. Bittig, Laurent Bopp, Patricia Cadule, Katie Campbell, Matthew A. Chamberlain, Naveen Chandra, Frédéric Chevallier, Louise P. Chini, Thomas Colligan, Jeanne Decayeux, Laique Djeutchouang, Xinyu Dou, Carolina Duran Rojas, Kazutaka Enyo, Wiley Evans, Amanda Fay, Richard A. Feely, Daniel J. Ford, Adrianna Foster, Thomas Gasser, Marion Gehlen, Thanos Gkritzalis, Giacomo Grassi, Luke Gregor, Nicolas Gruber, Özgür Gürses, Ian Harris, Matthew Hefner, Jens Heinke, George C. Hurtt, Yosuke Iida, Tatiana Ilyina, Andrew R. Jacobson, Atul Jain, Tereza Jarníková, Annika Jersild, Fei Jiang, Zhe Jin, Etsushi Kato, Ralph F. Keeling, Kees Klein Goldewijk, Jürgen Knauer, Jan Ivar Korsbakken, Siv K. Lauvset, Nathalie Lefèvre, Zhu Liu, Junjie Liu, Lei Ma, Sham
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BalletBoyz® and Pacific Northwest Ballet
A company from London and one from Seattle visit NYC.
Andrea Carruccio of BalletBoyz® aloft in Christopher Wheeldon’s Mesmerics. Photo: Yi-Chun Wu
History often appears less as a straight line than a looping, occasionally tangling collection of threads. Before Michael Nunn and William Trevitt founded Ballet Boyz in 2000, they were principal dancers with Britain’s Royal Ballet. That’s also the year that Christopher Wheeldon, formerly in that company, stopped dancing in the New York City Ballet to pursue choreography. Eight years ago, Wheeldon founded his own company, Morphoses, and Ballet Boyz appeared at Jacob’s Pillow as a trio (Trevitt, Nunn, and Oxana Panchenko). Now the correct name is BalletBoyz®, and during its season at New York’s Joyce Theater, its ten men perform Wheeldon’s revised Mesmerics, which in 2003, was a dance commissioned by the Joyce for the three men and two women when Ballet Boyz called itself George Piper Dances.
The image that BalletBoyz® presents is less about ballet in its most classical sense than about boyz. And, whether you spell that with a z or an s, the guys in question are men and extremely strong, nimble, personable ones. This impression is knocked home by the projected information about
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